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Rhine romanticism
The Rhine romanticism was the interpretation of the landscape conditions and history of the Rhine Valley in the cultural-historical period of the romanticism, by the end of the 18th century until the late 19th century and was continued in all forms of art expression.
== Schlegel's travel notes as a significant contribution ==
In response to the nascent industrialization with their perceived negative side effects, artists and writers turned to nature and the past. Friedrich Schlegel describes his impressions of a journey along the Rhine in 1806: "For me only those areas are beautiful, which are usually called the rough and wild, since only these are exalted, only exalted areas can be beautiful, only these excite the thoughts of nature. () But nothing is able to embellish and to increase the impression as much as the traces of human courage in the ruins of nature, bold castles atop wild rocks – monuments of the time of human heroes harking back to those higher heroic days of nature.〔in: Ernst Behler: ''Friedrich Schlegel in Selbstzeugnissen und Bilddokumenten'', 5th ed., Rowohlt Taschenbuchverlag, Reinbek bei Hamburg, 1988, ISBN 3-499-50123-6, p. 100 ff〕
Lord Byron made the Rhine area enormously popular in England in 1818 with his verse narrative,'' Childe Harold's Pilgrimage''. The German poet Adelheid of Stolterfoth created numerous Rhine poems. In the visual arts William Turner drew attention to the Rhine, especially in England, with his paintings, which were the result of several cruises on the river. The most popular romantic Rhine views, the reproductions in varying formats, such as postcards spreads were derived from Nikolai von Astudin.
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